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Malinalco
is beautifully located in a spectacular
landscape. Green forests and hills surround this
small colonial town in the highlands southeast
of Mexico City. This town, despite its
spectacular and highly interesting
archaeological zone, receives astonishing few
foreign visitors. Malinalco is mostly mentioned
in travel guide books only with a couple of
lines and very few visitors find their way to
this magnificent place. A number of well to do
inhabitants of Mexico City (including some
high-ranking politicians and celebrities) have
weekend houses here, which is the reason why the
town despite its isolated location and small
size has a number of excellent restaurants
offering a wide variety. We recommend visitors
to try out some of the local [fish] dishes which
are very tasteful and mostly delicately
prepared.
In
pre-Hispanic times, Malinalco was an important
center for training and education of young
recruits to the imperial Aztec forces.
Initiation rites for new recruits were also held
here. The Aztec
Temple of the Eagle and Jaguar Warrior was the
most important place for worship in pre-Hispanic
Malinalco, and is also today an impressive
sight. It
is built into the top of a mountain and thrones
ca one kilometre above the town in the valley
underneath. It is actually one of only 3 places
in the world that has temples carved into the
mountain itself. The view from the mountain top
where the archaeological zone is located is
simply spectacular. When going to
Malinalco, a camera is definitely a must. Every
Saturday, a colourful tianguis, (market) is held
in Malinalco. We therefore highly recommend to
visit Malinalco on a Saturday even if it means
that also the ruin site will have more visitors.
In
the 16th century, the Spaniards
ordered many churches and convents to be erected
in the town, which has many beautifully
preserved examples of early colonial
architecture, often constructed with stones from
the Pre-Hispanic site.
The
churches are often decorated with frescos and
murals that were painted by converted Indians in
the early colonial period under supervision by
Spanish friars. In these artworks, indigenous
and Catholic artistic conventions, symbolism and
imagery often mixed and merged. The
ecclesiastical art of colonial Malinalco has
been discussed by the American art historian
Jeanette Peterson whose writings focuses on the
complex interchange between the Pre-Columbian
and European Renaissance worlds. Enkidu
recommends in particular her prize winning book:
The Paradise Garden Murals of Malinalco:
Utopia and Empire in Sixteenth-century Mexico,
from 1993 as an introduction.
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