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Spectre/
Retrospect:Memoir and the Mythic Paedophile
J.
Fergus Evans
Department
of Gender, Sexuality and Culture
University
of Manchester
Reino
Unido
In the summer of 2000, the
News of the World published the names, photographs, and
locations of people it claimed had perpetrated sex crimes
against children. The ensuing controversy illustrates the
complicated ways in which the UK constructs and deals with
issues like child sexuality and paedophilia. And yet soon
after a number of books came out to critical and popular
acclaim, books which seemed to question the notion of
intergenerational sex as being wholly abusive. 'Spectre/
Retrospect: Memoir and the Myth of the Paedophile'
investigates to what extent these books actually challenge
the notion of the paedophile and the agency of children in
intergenerational sex. This paper contextualises this
phenomenon examining the News of the World 'Name and
Shame' campaign and the public response.
Perhaps most interesting is
the extent to which the actions of communities against
members they thought to be paedophiles went
un-interrogated, even when the actions were violent in the
extreme. This silence on the part of mainstream media is
investigated by my paper, as well as the language used to
describe both the criminal and the crime.
Using these analyses as a
starting point, I then conjecture that the paedophile has
become a Foucaultian type, and examine the importance of
such a type in society. I also look at the historical
construction of the paedophile as criminal. Current
understandings of the paedophile and children's sexuality
may actually endanger children by obscuring of incestuous
paedophilia by focusing on the myth of the paedophile as
predatory stranger, and the almost total erasure of
children's agency in their sexuality can make therapy for
victims of sexual abuse ineffective, as victims are not
allowed to express ambivalence or affection for their
abusers.
Having established that it
is not the interest of the child which drives legal and
social practice, I argue that society has an intense
investment in constructing the child as powerless to
maintain an unbalanced discourse which favours adults. And
yet there is the popularity of books such as Augusten
Burroughs' 'Running with Scissors', JT LeRoy's 'Sarah' and
'The Heart is Deceitful Above All Things', and Scott
Heim's 'Mysterious Skin' to consider.
All of these books seem to
grant their narrators some agency in intergenerational
sex. However, I argue that the use of the memoir as
narrative device allows the adult narrator to take the
place of the child. In this way these books do not
complicate the notion of child as non-agent. Is there any
indication of a change in attitude towards children's
sexuality? I would argue that there are a few (P-P
Hartnett's i WANT TO FUCK YOU is a good example). Because,
as Gayle Rubin has argued, changes in the stigmatization
of certain sexualities and sex acts can have immense
impacts on power dynamics within the larger culture, this
paper argues that even these few examples are extremely
important and warrant further investigation by sexual and
cultural theorists.
About J. Fergus Evans
J. Fergus Evans is an
academic, activist and artist based in Manchester. He
received his BA in Sociology from Georgia State University
and is currently completing his MA in Gender, Sexuality
and Culture at the University of Manchester.
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